What do you do? Tim Ferriss has trouble answering the question. Depending on when you ask this controversial Princeton University guest lecturer, he might answer: "I race motorcycles in Europe." "I ski in the Andes." "I scuba dive in Panama." "I dance tango in Buenos Aires." He has spent more than five years learning the secrets of the New Rich, a fast-growing subculture who has abandoned the "deferred-life plan" and instead mastered the new currencies-time and mobility-to create luxury lifestyles in the here and now. Whether you are an overworked employee or an entrepreneur trapped in your own business, this book is the compass for a new and revolutionary world. Join Tim Ferriss as he teaches you: ? How to outsource your life to overseas virtual assistants for $5 per hour and do whatever you want ? How blue-chip escape artists travel the world without quitting their jobs ? How to eliminate 50% of your work in 48 hours using the principles of a forgotten Italian economist ? How to trade a long-haul career for short work bursts and freuent "mini-retirements" ? What the crucial difference is between absolute and relative income ? How to train your boss to value performance over presence, or kill your job (or company) if it's beyond repair ? What automated cash-flow "muses" are and how to create one in 2 to 4 weeks ? How to cultivate selective ignorance-and create time-with a low-information diet ? What the management secrets of Remote Control CEOs are ? How to get free housing worldwide and airfare at 50-80% off ? How to fill the void and create a meaningful life after removing work and the office.
Business Model Generation is a handbook for visionaries, game changers, and challengers striving to defy outmoded business models and design tomorrow's enterprises. If your organization needs to adapt to harsh new realities, but you don't yet have a strategy that will get you out in front of your competitors, you need Business Model Generation.
Co-created by 470 "Business Model Canvas" practitioners from 45 countries, the book features a beautiful, highly visual, 4-color design that takes powerful strategic ideas and tools, and makes them easy to implement in your organization. It explains the most common Business Model patterns, based on concepts from leading business thinkers, and helps you reinterpret them for your own context. You will learn how to systematically understand, design, and implement a game-changing business model--or analyze and renovate an old one. Along the way, you'll understand at a much deeper level your customers, distribution channels, partners, revenue streams, costs, and your core value proposition.
Business Model Generation features practical innovation techniques used today by leading consultants and companies worldwide, including 3M, Ericsson, Capgemini, Deloitte, and others. Designed for doers, it is for those ready to abandon outmoded thinking and embrace new models of value creation: for executives, consultants, entrepreneurs, and leaders of all organizations. If you're ready to change the rules, you belong to "the business model generation!"
Graham Greene and E.M. Forster marvelled at it, but F.R. Leavis considered it to be 'not only not one of his great books, but to be a bad one.' As for the author, he held The Ambassadors as the favorite among all his novels.
Sent from Massachusetts by the formidable Mrs. Newsome to recall her son, Chad, from what she assumes to be a corrupt life in Paris, Strether finds his intentions subtly and profoundly transformed as he falls under the spell of the city and of his charge. He is quick to perceive that Chad has been not so much corrupted as refined, and over the course of the hot summer months in Paris he gradually realizes that this discovery and acceptance of Chad's unconventional new lifestyle alter his own ideals and ambitions.
One of Henry James's three final novels, all of which have sharply divided modern critics, The Ambassadors is the finely drawn portrait of a man's late awakening to the importance of morality that is founded not on the dictates of convention but on its value per se.
E. M. Forster once described The Longest Journey as the book "I am most glad to have written." An introspective novel of manners at once comic and tragic, it tells of a sensitive and intelligent young man with an intense imagination and a certain amount of literary talent. He sets out full of hope to become a writer, but gives up his aspirations for those of the conventional world, gradually sinking into a life of petty conformity and bitter disappointments.
A revelatory examination of how the wildfirelike spread of new forms of social interaction enabled by technology is changing the way humans form groups and exist within them, with profound long-term economic and social effects-for good and for ill
A handful of kite hobbyists scattered around the world find each other online and collaborate on the most radical improvement in kite design in decades. A midwestern professor of Middle Eastern history starts a blog after 9/11 that becomes essential reading for journalists covering the Iraq war. Activists use the Internet and e-mail to bring offensive comments made by Trent Lott and Don Imus to a wide public and hound them from their positions. A few people find that a world-class online encyclopedia created entirely by volunteers and open for editing by anyone, a wiki, is not an impractical idea. Jihadi groups trade inspiration and instruction and showcase terrorist atrocities to the world, entirely online. A wide group of unrelated people swarms to a Web site about the theft of a cell phone and ultimately goads the New York City police to take action, leading to the culprit's arrest.
With accelerating velocity, our age's new technologies of social networking are evolving, and evolving us, into new groups doing new things in new ways, and old and new groups alike doing the old things better and more easily. You don't have to have a MySpace page to know that the times they are a changin'. Hierarchical structures that exist to manage the work of groups are seeing their raisons d'tre swiftly eroded by the rising technological tide. Business models are being destroyed, transformed, born at dizzying speeds, and the larger social impact is profound.
One of the culture's wisest observers of the transformational power of the new forms of tech-enabled social interaction is Clay Shirky, and Here Comes Everybody is his marvelous reckoning with the ramifications of all this on what we do and who we are. Like Lawrence Lessig on the effect of new technology on regimes of cultural creation, Shirky's assessment of the impact of new technology on the nature and use of groups is marvelously broad minded, lucid, and penetrating; it integrates the views of a number of other thinkers across a broad range of disciplines with his own pioneering work to provide a holistic framework for understanding the opportunities and the threats to the existing order that these new, spontaneous networks of social interaction represent. Wikinomics, yes, but also wikigovernment, wikiculture, wikievery imaginable interest group, including the far from savory. A revolution in social organization has commenced, and Clay Shirky is its brilliant chronicler.
This original book provides a whole new way of looking at business problems and ideas. Dan Roam demonstrates how thinking with pictures can help you discover and develop new ideas, solve problems in unexpected ways, and dramatically improve your ability to share your insights with others.
Used properly, a simple drawing on a humble napkin is more powerful than Excel or PowerPoint. It can help us crystallise ideas, think outside of the box, and communicate in a way that other people simply “get”.
Drawing on 20 years of visual problem solving combined with recent discoveries in vision science, Roam shows us how to clarify a problem or sell an idea by visually breaking it down using a simple set of visualisation tools. His strategies take advantage of everyone’s innate ability to look, see, imagine and show
Alain de Botton's The Consolations of Philosophy takes the discipline of logic and the mind back to its roots. Drawing inspiration from six of the finest minds in history - Socrates, Epicurus, Seneca, Montaigne, Schopenhauer and Nietzsche - he addresses lack of money, the pain of love, inadequacy, anxiety and conformity. De Botton's book led one critic to call philosophy 'the new rock and roll'.
Behind the innocent face of Victorian fairy tales such as Through the Looking Glass or Mopsa the Fairy lurks the specter of an intense gender debate about the very nature of childhood. Offering brilliant rereadings of classics from the "Golden Age of Children's Literature" as well as literature commonly considered "grown-up," U. C. Knoepflmacher illuminates this debate, probing deeply into the relations between adults and children, adults and their own childhood selves, and the lives of beloved Victorian authors and their "children's tales." Ventures into Childland will delight and instruct all readers of children's classics, and will be essential reading for students of Victorian culture and gender studies.
"Ventures into Childland is acute, well written and stimulating. It also has a political purpose, to insist on the importance of protecting and nurturing children, imaginatively and physically."—Jan Marsh, Times Literary Supplement
"A provocative and interesting book about Victorian culture."—Library Journal
In this classic 1888 novella, an anonymous narrator relates his obsessive quest to acquire some letters and other private documents that once belonged to the deceased Romantic poet Jeffrey Aspern. Attempting to gain access to the papers, the property of Aspern's former mistress, he rents a room in a decaying Venetian villa where the woman lives with her aging niece. Led by his zeal into increasingly unscrupulous behavior, the narrator is faced in the end with relinquishing his heart's desire or attaining it an an overwhelming price.
Inspired by an actual incident involving Claire Clairmont, once the mistress of Lord Byron, this masterfully written tale incorporates all those elements expected from James: psychological subtlety, deft plotting, the clash of cultures, and profoundly nuanced representation of scene, mood, and character. This volume also contains James's celebrated Preface from the New York edition of his collected works.
This is a uniquely authoritative history of philosophy for the general reader. Written by a team of distinguished scholars, it tells the story of Western philosophy from its ancient beginnings to the present day, emphasizing the intellectual context of its development. Philosophy has played a central part in the history of Western civilization. This volume offers a detailed account of the lives and works of all the major thinkers through the ages, including Socrates, Plato, Aristotle, Augustine, Aquinas, Descartes, Locke, Hume, Kant, Hegel, and recent figures such as Russell, Sartre, and Wittgenstein. Key concepts, doctrines, and schools of thought from both the Anglo-American and Continental traditions are explored in a distinctive and accessible way. Personalities and ideas are brought to life as the book captures the richness and vitality of philosophy across a wide range of cultures and times. The contributors are all experts in their fields and each makes a sharply individualistic contribution. They write with awareness of the latest scholarship and present their material in a lively and intelligible way. They bring to their chapters not only deep understanding, but also enthusiasm and zest for their subject. The book is illustrated with over 150 colour and black-and-white pictures, chosen to illuminate and complement the text.
In this characteristically graceful and provocative book, Jerome Bruner, one of the principal architects of the cognitive revolution, sets forth nothing less than a new agenda for the study of mind. According to Professor Bruner, cognitive science has set its sights too narrowly on the logical, systematic aspects of mental life--those thought processes we use to solve puzzles, test hypotheses, and advance explanations. There is obviously another side to the mind--a side devoted to the irrepressibly human acts of imagination that allow us to make experience meaningful. This is the side of the mind that leads to good stories, gripping drama, primitive myths and rituals, and plausible historical accounts. Bruner calls it the "narrative mode," and his book makes important advances in the effort to unravel its nature.
Drawing on recent work in literary theory, linguistics, and symbolic anthropology, as well as cognitive and developmental psychology Professor Bruner examines the mental acts that enter into the imaginative creation of possible worlds, and he shows how the activity of imaginary world making undergirds human science, literature, and philosophy, as well as everyday thinking, and even our sense of self.
Over twenty years ago, Jerome Bruner first sketched his ideas about the mind's other side in his justly admired book On Knowing: Essays for the Left Hand. Actual Minds, Possible Worlds can be read as a sequel to this earlier work, but it is a sequel that goes well beyond its predecessor by providing rich examples of just how the mind's narrative mode can be successfully studied. The collective force of these examples points the way toward a more humane and subtle approach to the investigation of how the mind works.
Anyone who’s ever lost sleep over an unreturned phone call or the neighbor’s Lexus had better read Alain de Botton’s irresistibly clear-headed new book, immediately. For in its pages, a master explicator of our civilization and its discontents turns his attention to the insatiable quest for status, a quest that has less to do with material comfort than with love. To demonstrate his thesis, de Botton ranges through Western history and thought from St. Augustine to Andrew Carnegie and Machiavelli to Anthony Robbins.
Whether it’s assessing the class-consciousness of Christianity or the convulsions of consumer capitalism, dueling or home-furnishing, Status Anxiety is infallibly entertaining. And when it examines the virtues of informed misanthropy, art appreciation, or walking a lobster on a leash, it is not only wise but helpful.
Wired magazine editor and bestselling author Chris Anderson takes you to the front lines of a new industrial revolution as today’s entrepreneurs, using open source design and 3-D printing, bring manufacturing to the desktop. In an age of custom-fabricated, do-it-yourself product design and creation, the collective potential of a million garage tinkerers and enthusiasts is about to be unleashed, driving a resurgence of American manufacturing. A generation of “Makers” using the Web’s innovation model will help drive the next big wave in the global economy, as the new technologies of digital design and rapid prototyping gives everyone the power to invent -- creating “the long tail of things”.
A follow up to Pico Iyer’s essay “The Joy of Quiet,” The Art of Stillness considers the unexpected adventure of staying put and reveals a counterintuitive truth: The more ways we have to connect, the more we seem desperate to unplug.
Why might a lifelong traveler like Pico Iyer, who has journeyed from Easter Island to Ethiopia, Cuba to Kathmandu, think that sitting quietly in a room might be the ultimate adventure? Because in our madly accelerating world, our lives are crowded, chaotic and noisy. There’s never been a greater need to slow down, tune out and give ourselves permission to be still.
In The Art of Stillness—a TED Books release—Iyer investigate the lives of people who have made a life seeking stillness: from Matthieu Ricard, a Frenchman with a PhD in molecular biology who left a promising scientific career to become a Tibetan monk, to revered singer-songwriter Leonard Cohen, who traded the pleasures of the senses for several years of living the near-silent life of meditation as a Zen monk. Iyer also draws on his own experiences as a travel writer to explore why advances in technology are making us more likely to retreat. He reflects that this is perhaps the reason why many people—even those with no religious commitment—seem to be turning to yoga, or meditation, or seeking silent retreats. These aren't New Age fads so much as ways to rediscover the wisdom of an earlier age. Growing trends like observing an “Internet Sabbath”—turning off online connections from Friday night to Monday morning—highlight how increasingly desperate many of us are to unplug and bring stillness into our lives.
The Art of Stillness paints a picture of why so many—from Marcel Proust to Mahatma Ghandi to Emily Dickinson—have found richness in stillness. Ultimately, Iyer shows that, in this age of constant movement and connectedness, perhaps staying in one place is a more exciting prospect, and a greater necessity than ever before.
In 2013, Pico Iyer gave a blockbuster TED Talk. This lyrical and inspiring book expands on a new idea, offering a way forward for all those feeling affected by the frenetic pace of our modern world.
A collection of four stories comprising ` Under The Garden' (A short novel); `A Visit to the Morin'; Dream of a Strange Land' and `A Discovery in the Woods'. In these four stories Graham Greene, one of the master of modern English fiction, has allowed himself the liberty of fantasy, myth, legend and dream. The results are, quite simply, superb.
What is the first thing to learn in art school? “Art can be anything.” The second thing? “Learn to draw.” With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. “Art can be anything” is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image “after Caravaggio”; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
101 Things to Learn in Art School offers advice about the issues artists confront across all artistic media, but this is no simple handbook to making art. It is a guide to understanding art as a description of the world we live in, and it is a guide to using art as a medium for thought. And so this book belongs on the reading list of art students, art teachers, and artists, but it also belongs in the library of everyone who cares about art as a way of understanding life.
A Beautiful Constraint: How to Transform Your Limitations Into Advantages And Why It′s Everyone′s Business Now is a book about everyday, practical inventiveness, designed for the constrained times in which we live. It describes how to take the kinds of issues that all of us face today lack of time, money, resources, attention, know–how and see in them the opportunity for transformation of oneself and one′s organization′s fortunes. The ideas in the book are based on the authors′ extensive work as business consultants, and are brought to life in 35 personal interviews from such varied sources as Nike, IKEA, Unilever, the U.S. Navy, Formula One racecar engineers, public school teachers in California, and barley farmers in South Africa. Underpinned by scientific research into the psychology of breakthrough, the book is a practical handbook full of tools and tips for how to make more from less. Beautifully designed and accessible, A Beautiful Constraint will appeal beyond its core business audience to anyone who needs to find the opportunity in constraint.
The book takes the reader on a journey through the mindset, method and motivation required to move from the initial "victim" stage into the transformation stage. It challenges us to:
- Examine how we′ve become path dependent stuck with routines that blind us from seeing opportunity along new paths
- Ask Propelling Questions to help us break free of those paths and put the most pressing and valuable constraints at the heart of our process
- Adopt a Can If mentality to answer these questions focused on "how," not "if"
- Access the abundance to be found all around us to help transform constraints
- Activate the high–octane mix of emotions necessary to fuel the tenacity required for success
We live in a world of seemingly ever–increasing constraints, driven as much by an overabundance of choices and connections as by a scarcity of time and resources. How we respond to these constraints is one of the most important issues of our time and will be a large determinant of our progress as people, businesses and planet, in the future. A Beautiful Constraint calls for a more widespread capability for constraint–driven problem solving and provides the framework to achieve that.
"The longing for a destiny is nowhere stronger than in our romantic life" we are told at the outset of Alain de Botton's On Love, a hip, charming, and devastatingly witty rumination on the thrills and pitfalls of romantic love.
The narrator is smitten by Chloe on a Paris-London flight, and by the time they've reached the luggage carousel, he knows he is in love. He loves her chestnut hair and pale nape and watery green eyes, the way she drives a car and eats Chinese food, the gap that makes her teeth Kantian and not Platonic, her views on Heidegger's Being and Time - although he hates her taste in shoes.
On Love plots the course of their affair from the initial delirium of infatuation to the depths of suicidal despair, through the (Groucho) "Marxist" stage of coming to terms with being loved by the unattainable beloved, through a fit of anhedonia, defined in medical texts as a disease resulting from the terror brought on by the threat of utter happiness, and finally through the nausea induced and terrorist tactics employed when the beloved begins, inexplicably, to drift away.
Alain de Botton is simultaneously hilarious and intellectually astute, shifting with ease among such seminal romantic texts as The Divine Comedy, Madame Bovary, and The Bleeding Heart, a self-help book for those who love too much. He is schematically flawless, funny, funky, and totally engaging.
Filled with profound observations and useful diagrams, On Love displays and examines for all of us the pain and exhilaration of love, asking, "Can we not be forgiven if we believe ourselves fated to stumble one day upon the man or woman of our dreams? Can we not be excused a certain superstitious faith in a creature who will prove the solution to our relentless yearnings?"